Some art I’ve seen in Venice. Italy. 2009
Posted by razzbuffnik on 18th September 2009
Following Epicurienne and Pat’s advice, Engogirl and I went and had a look at the Guggenheim museum and some of the Biennale art exhibits that are on at the moment.
The Guggenheim was a tour de force of some of the biggest names in 20th century art. It was a real who’s who of modern art. I’d see a painting and I’d think to myself, “gee that looks like Léger’s stuff, but surely it can’t be”, but it was and so it went on. I kept on seeing styles that I recognized but couldn’t believe I was seeing them for real.
There was even one of (there are nine bronzes) Brancusi’s “Bird in space”. I couldn’t believe that such a famous statue was once owned by one person and not an institution. Every time I’ve seen pictures of “Bird in space”, I’ve wondered about the thinnest part of the statue near its base, as it looks too thin hold the weight of the rest of the statue. Sure enough, the thinnest part of the statue does look like it has been repaired, and not that well to boot.
Unfortunately, no photos are allowed in the museum so I wasn’t able to take many shots of the art there. Out at the rear of the museum that backs onto to Venice’s Grand Canal is Wim Delvoye’s “Torre”.

As stunning as Delvoye’s sculpture is from the outside, a shot from underneath shoes even more amazing detail.

Just down from the Guggenheim is the French billionaire, François Pinault’s new art museum in the Punta della Dogana. We didn’t go in (the cheeky bastards wanted 15 Euro) but at the back of the museum is Charles Ray’s “Boy with frog”.

Apparently Ray had wanted to make the statue larger but changed his mind in consideration of the locals who enjoyed walking in the area in the past. Trouble is that the statue is small enough to vulnerable to vandalism and now has to be guarded full time. It’s not hard to see why. That frog would snap off real easy.
Near where the hotel where we are staying are a few Biennale exhibitions. One is by Grazia Toderi

and the other was by Iranian artists.
Minding the Iranian art was the photographer Ali Reza Karimi Saremi. Ali is a very friendly and personable guy but unfortunately we couldn’t communicate with each other too well because of language difficulties.
I tried to ask Ali about the human and animal representations in the exhibition and if that meant that the religious leaders of his country weren’t so fundamentalist (the Koran proscribes Muslims from creating images of people and animals) as the western media shows them to be. Ali didn’t understand what I was trying to ask but he did understand that his country gets a lot of bad press in the west.
As best as he could, Ali explained to me that Iran is a beautiful country full of decent people who create art and lovely music. He then went on to explain that Mahmoud Ahmadinejad was only one man and that not all people in Iran were like him. Then Ali went on to say that just like the various artists in the Iranian exhibition who all created different art, the people of Iran all have their own ideas.

It was easy for me to see how sincere Ali was being and it was obvious that what the western media had to say about his country hurt him but that didn’t prevent him from showing me the utmost courtesy and hospitality. As we were leaving I shook his hand and as I did, he asked me to wait and he ran out the back, brought back a small box and presented it to Engogirl, saying that he hoped we would one day visit his country.
In the box was a lovely pendant made of blue Persian tile.
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